Aviom’s A360 Personal Mixer brings new levels of control and customization to personal mixing and is the perfect solution for controlling musicians’ monitors on stage or in the studio. It includes an advanced 36-channel mix engine which can be used to mix up to 16 mono or stereo standard channels plus mono or stereo ambience and the unique Dual Profile Channel™. Channels can be individually selected for each A360 from a network pool of up to 64 channels. The A360 has been designed specifically to enhance the experience of in-ear monitor users and it also works great with headphones in the studio.
As with all Aviom personal mixing products, the A360 offers a truly useful set of features that are easy to understand and use. All mixing features are instantly available—no menus to navigate, no complex programming, no computer required—so customizing and adjusting a mix is fast and intuitive, even in the middle of performing.
The A360 Personal Mixer's advanced 36-channel mix engine can mix up to 16 mono or stereo standard channels assigned to its channel buttons, plus mono or stereo ambience and the Dual Profile Channel™. Each A360 in a system may use the default channel assignments, or audio channels can be selected and assigned individually for each personal mixer, drawing from a network pool of up to 64 channels, created by connecting up to four Pro16e™ compatible input devices. The free A360 Channel Manager software makes it easy to set up custom configurations for each A360 Personal Mixer in a system.
Each A360 mix channel can host a mono or stereo source and may be adjusted for volume, tone, and reverb. The A360 also includes the innovative Stereo Placement pan-spread control that allows the width of a stereo channel’s image to be controlled independent of its left-right placement in the stereo field, significantly improving the user experience when mixing in stereo for in-ear monitors and headphones.
The A360’s seventeenth mix channel—the Dual Profile Channel™—provides users with instant access to two independent combinations of channel volume, tone, reverb, and stereo placement for a favorite channel. The Dual Profile Channel may be set to mirror one of the 16 standard mix channels or may be used for additional mix content.
Ambience can be added to the mix either using the convenient onboard ambient microphone or by using external microphones connected to network audio channels, significantly enhancing the user's mix experience and ability to interact with the audience. Regardless of the source of the ambience audio, the A360's One-Touch Ambience™ streamlines control of ambience levels during performance, allowing musicians to add or remove ambience with the single touch of a button.
The output section of the A360 includes both 1/4-inch and 1/8-inch stereo mix outs, plus a mono XLR output with individual volume control which is perfect for use with subwoofers or bass shaker devices.
Regardless of whether you listen with in-ear monitors or headphones, the three-band EQ found in the master output section of the A360 has been designed to optimize the listening experience. In addition to Bass and Treble controls, the unique Enhance control adds punch and brilliance to the overall mix over a carefully selected set of frequencies.
Each A360 can store up to twenty mix snapshots—16 saved in the channel button locations plus another four assigned to dedicated Instant Mix Recall buttons. The user's current mix is preserved, even across power cycles. A rear panel USB jack is provided for saving and loading mixer profiles as well as for firmware updates.
A360 Personal Mixers can be connected in parallel using an A-Net Distributor, allowing DC power to be supplied to the mixers over the Cat-5e cable. The A360 supports Cat-5e cable runs of up to 400 feet (122 meters) between devices, and there is no practical limit to the number of Personal Mixers in a system.
All Pro16 Personal Mixers, including the A360, A-16II, and A-16R can be used in any combination when creating a personal mixing system. To get the higher channel count that the Pro16e version of A-Net offers, at least one AN-16/i v.2 Input Module must be included in the personal mixing system.
|Audio Output||1/4” TRS stereo, headphone or line level;
1/8” TRS stereo, headphone or line level;
XLR balanced mono, line level
|Stereo Mix Outputs, Headphone/Line||
Tip: Audio Left; Ring: Audio Right; Sleeve: Ground
|Mono Mix Output||Pin 2: Hot, Pin 3: Cold; Pin 1: Ground|
|A-Net||1 A-Net In, EtherCon RJ45 connector;
Supports Pro16 and Pro16e
|Digital to Analog Conversion & Bit Depth||44.1/48kHz, 24-bit|
|Stereo Operation||Stereo Link, per channel pair;
Set at the input module;
Variable pan per mono channel or pan/spread per stereo channel pair
|USB Storage||Save/load mix configuration data and mixer presets;
|Headphone Output||1.0 watt at 100 ohms
|Output Impedance||32 ohms|
|Frequency Response||2-22kHz +0.2dB/-3dB|
|Signal to Noise (unweighted)||-106dB (measured with zero data into all channels)|
|Latency||<0.880 msec (measured from analog input to analog output)|
|Pro16e A-Net||Use unshielded Cat-5e UTP (or better) cable;
Maximum 400 ft (122 m) between devices;
Supports Power Over A-Net
|External, DC, universal switching type
100-240 volts, 50/60Hz
24 VDC, 0.5 amp
|Dimensions||11” (279.4 mm) wide x 6.9” (175.26 mm) deep;
1.835” (46.61 mm) high
|Weight||3.4 lb (1.54 kg)|
|Options||MT-1a Mic Stand Mount (uses 6-32 1/4-inch screws)
EB-1 Extension Bracket
PS-120 Power Supply