Auckland  09 414 0477
Wellington  04 801 9494
03842

Soundcraft Si Impact Digital Mixing Console

Soundcraft Si Impact Digital Mixing Console
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40-Input Digital Mixing Console and 32-In/32-Out USB Interface with iPad Control
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The Soundcraft Si Impact is a 40-input digital mixing console and 32-in/32-out USB audio interface that supports remote iPad mixing using a proprietary app. The console is designed to be as simple as an analog mixer, but offers workflow enhancements such as the FaderGlow system, which illuminates each fader track in different colors to provide at-a-glance status information on precisely what the fader is controlling.

Featuring studio-grade reverbs, delays, and modulations from Lexicon, dbx dynamics, and BSS graphic equalizers, the Si Impact comes fully equipped to mix everything from rock bands to stage plays. Also a 32-in/32-out USB audio interface, the Si Impact mixer delivers professional digital recording directly to your DAW, and comes with a free download of Ableton Live Lite 9.

  • 32 mic inputs
  • 8 XLR/1/4" combi-jacks for line inputs and instruments
  • 40 DSP input channels (32 mono inputs and 4 stereo channels/returns)
  • 31 output busses (all with full DSP processing and GEQ)
  • 4-band fully parametric EQ on each channel and bus
  • 8 VCAs + 8 Mute groups
  • 26 motorized faders (24 input + LR/Mono)
  • 4 fully customizable fader layers
  • Built-in stagebox connectivity
  • 5" touchscreen display
  • Multi-color LCD channel displays on each input fader
  • 4 studio-grade Lexicon FX engines and dedicated FX busses
  • BSS graphic equalizers on every bus
  • 20 sub-group / aux busses
  • 4 mono/stereo matrix busses
  • 32x32 USB audio interface for multi-track recording and playback
Frequency Response Mic / Line In to any Output: +/-1.5 dB, 20 Hz to 20 kHz
THD Mic Sensitivity: -30 dBu < 0.01% @ 1 kHz
Noise Residual Noise: -86 dBu
Mic Input E.I.N.: 22 Hz to 22 kHz, Unweighted (max gain)
126 dBu (150 ohm source)
Mix Noise, Masters at Unity: < -86 dBu
1 Input to Mix at Unity Gain: -84 dBu
CMRR Mic @ 1 kHz (max gain): -80 dBu
Crosstalk Crosstalk (@ 1 kHz)
Channel ON Attenuation: < 120 dB
Channel Fader Attenuation: < 120 dB
Mic: -100 dB @ 1 kHz, -85 dB @ 10 kHz
Line: -100 dB @ 1 kHz, -85 dB @ 10 kHz
Input Gain Mic Gain: -5 to 58 dB integrated pad design, 1 dB steps
Line Trim: -10 to +16 dB
Gate Threshold: -60 to -6 dBfs
Depth: -60 to -3 dB
Attack: 0.1 to 200 ms
Release: 20 to 500 ms
Side-chain HPF: 22 Hz to 2.5 kHz
Side-chain LPF: 160 Hz to 20 kHz
Compressor Threshold: -52 to -6 dBfs
Ratio: 1:1 to 20:1
Attack: 0.1 to 200 ms
Release: 5 to 900 ms
Makeup Gain: 0 to 24 dB
Equalization All Bands: 22 Hz to 20 kHz, +/-15 dB, Q 6 to 0.3
Shelf (HF): 800 Hz to 20 kHz, +/-15 dB
Shelf (LF): 20 Hz to 500 Hz, +/-15 dB
HPF: 40 Hz to 1 kHz
Delay User adjustable delay: 1 sample to 500 ms
Graphic EQ 31 Hz to 16 kHz 1/3 octave
Digital I/O External Word Clock: In range 48 kHz +/-7 Hz (internal systems), +/-3 Hz with stageboxes
Word Clock Out Jitter: +/-7 ns
Analog Out for 0 dBfs: +21.5 dBu
Converter Resolution: 24-bit
DSP Resolution: 40-bit floating point
Latency Mic In to Line Out: < 0.8 ms
Analog In to AES Out: < 0.6 ms
Stagebox Mic In to Stagebox: < 0.9 ms
Levels Mic Input: +22 dBu max
Line Input: +22 dBu max
Mix Output: +21.5 dBu max
Headphones: (@ 150 ohms) 300 mW (recommended impedance 75 to 200 ohms)
Impedance Mic Input: 3 kOhms
Line Input: 10 kOhms
Outputs: 150 ohms (balanced), 75 ohms (unbalanced)
Word Clock used as Output: 50 ohms
Word Clock used as Input: 47 ohms
AES Output: 110 ohms
USB Max Current: 500 mA
Power Consumption: < 130 W (typical)
AC Input Voltage Range: 88 to 264 VAC auto sensing
AC Frequency Range: 47 to 63 Hz
Operating Conditions Operating Temperature Range: 41 to 113°F (5 to 45°C)
Humidity: 0-90%, non-condensing Ta = 104°F (40°C)
Storage Temperature Range: -4 to 140°F (-20 to 60°C)
Dimensions 6.3 x 29.5 x 19.7" (160 x 750 x 500 mm)
Weight 44.1 lb (20.0 kg)
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Auckland: 09 414 0477
Wellington: 04 801 9494

Australia: 1300 472 344

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