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Focusrite RedNet 4 - Mic preamps, Line and DI

Focusrite RedNet 4 - Mic preamps, Line and DI
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RedNet 4 adds eight of the latest remote-controlled Focusrite mic preamps / line inputs to your RedNet system through a single Ethernet cable. With two selectable DI’s and full remote control of gain, phantom power, input source and high pass filter, RedNet 4 provides an effective range of analogue inputs for your system.
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Key Features

  • Eight high-quality Focusrite 'RedNet' mic preamps
  • DC-coupled signal path for characteristically open and transparent sound 
  • Selectable line and DI inputs for input flexibility
  • Remote-controllable Gain, Phantom Power and High-Pass Filter from Yamaha CL and QL Series Consoles.
  • Dynamic range: 119dB 
  • THD+Noise: <0.001% 
  • Mic input Level up to +16dBu 
  • Max mic input gain: 63dB 
  • JetPLL™ jitter-reduction technology
RedNet 4 adds eight of the latest remote-controlled Focusrite mic preamps / line inputs to your RedNet system through a single Ethernet cable. With two selectable DI’s, RedNet 4 provides an effective range of analogue inputs for your system. The unit includes Focusrite’s world-class precision A-D conversion. Mic/Line/DI selection, gain, phantom power, HPF and metering are also accessible from the front panel. The benefit of remote control microphone pre-amp gain is that you can keep the mic pre close to the source (so the analogue cable run is minimal) while still setting gain stages from the control room.

Studio quality sound meets digital audio networking…
RedNet is Focusrite’s flagship range of modular Ethernet-networked audio interfaces that harnesses the power of Audinate’s tried and tested Dante digital audio networking system to bring studio quality sound to any modern audio application.

Designed with multiple audio applications in mind – from Live Sound rigs to Multi-room Recording Studios, Houses of Worship, Audio Distribution Installations, Post Production environments and anything in-between – fundamentally RedNet is an extremely scalable, near zero latency audio distribution system that can be used to expand I/O channel count, interface digital components, and/or bridge between Pro Tools|HD or MADI and the Dante audio network.

Incorporating Focusrite’s most advanced AD/DA conversion to date, rock-stable JetPLL clocking and premium multi-layered board circuitry, RedNet is no exception to the company’s philosophy that ‘Sound is Everything’. With every design detail meticulously engineered, RedNet is a step above its I/O competition, providing some of the most transparent and pristine audio quality available – with the added benefit of the systems’ revolutionary networking capabilities.

Sonic Excellence – Advanced A-D/D-A conversion, premium multi-layered board circuitry and rock steady JetPLL™clocking delivers extremely clean, transparent audio at a dynamic range of 119dB with 24-bit resolution at sample rates up to 192kHz.

Dante Audio Networking – Harnessing the power of Dante’s tried and tested digital audio networking system, RedNet forms an extremely scalable, modular audio distribution system that is compatible with any other Dante enabled products.

Highly Expandable – RedNet’s modular “building block” design means that each system can be specified with any combination of RedNet units to ensure your system has the right type and quantity of I/O exactly where you need them.

Extensive Compatibility – With many different options for interfacing with other hardware, whether it's MADI, AES 3, analogue, Mac, PC, Pro Tools|HD, or Dante-based products - RedNet will function with a huge range of devices and features multiple connectivity options.  
Microphone Inputs
Gain range 0 dB; 8 to 63 dB in 1 dB steps
Type Electronically balanced, Zin = 2.4 kohms
Max. input level +16 ±0.5 dB; min. gain for 0 dBFS, Rs = 150 ohms, pad out
Min. input level -47 ±0.5 dB; max. gain for 0 dBFS, Rs = 150 ohms, pad out
Frequency response 20 Hz – 55 kHz ±0.1 dB (-3 dB @ 80 kHz, fs = 192 kHz); Rs = 150 ohms
THD+N < 0.0007% @ -1 dBFS; +15 dBu input, Rs = 150 ohms, 20 Hz – 22 kHz
Noise EIN -128 dB; 60 dB gain, Rs = 150 ohms, 20 Hz – 22 kHz
Phantom power 48 V, independently switchable per-channel
Signal-to-noise ratio 119 dB ‘A’-weighted; Rs = 150 ohms
Line Inputs
Gain range -12 to 42 dB in 1 dB steps
Max. input level +24 ±0.5 dB; min. gain for 0 dBFS
Min. input level -30 ±0.5 dB; max. gain for 0 dBFS
Frequency response 20 Hz – 20 kHz ±0.1 dB
THD+N ﹤ 0.003% @ -1 dBFS; +23 dBu input, min.gain, 20 Hz – 22 kHz
Signal-to-noise ratio 117 dB ‘A’-weighted
Instrument Inputs (Inputs 1 & 2 only)
Gain range +14 to 68 dB in 1 dB steps
Max. input level +10 ±0.5 dB; min. gain for 0 dBFS
Min. input level -44 ±0.5 dB; max. gain for 0 dBFS, pad out
Frequency response 20 Hz – 20 kHz ±0.1 dB
THD+N ﹤ 0.001% @ -1 dBFS; +9 dBu input, min.gain, 20 Hz – 22 kHz
Signal-to-noise ratio 112 dB ‘A’-weighted
Analogue High-Pass Filters
Selection Independently switchable per-channel
Frequency/slope -6 dB @ 65 ±3 Hz, 12 dB/octave
Crosstalk
Input to input ﹤-80 dB (all other channels at 0 dBFS)
Digital Performance
Supported sample rates 44.1 / 48 / 88.2 / 96 / 192 kHz
Clock sources Internal or from network master device
Power
PSU Internal, Universal type, consumption 30 VA
Front Panel Indicators
Power Green
Network connected Green
Sync lock Green
Sample rate Yellow x 5
Channel 1/2 source Yellow x 3 (mic/line/inst)
Signal level Green x 8 (-42 dBFS); Yellow x 8 (-6 dBFS); Red x 8 (overload)
Channel select buttons 8
Channel function controls Input source, HPF, phantom power, Gain encoder
Channel display Colour OLED; channel number, input source, gain
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